Rising star band Honeysuckle celebrate new release
Deft instrumental interplay, gorgeous three-part harmonies, preternatural timing; Honeysuckle possess all the elements of a stellar acoustic roots band. Four consecutive Boston Music Award nominations, culminating with a win in 2018, and a nod from NPR (2016 Bands to Watch So Far) are among the accolades backing up this notion.
On the just released third LP, Fire Starter, there’s extra mojo as the band – Holly McGarry, Chris Bloniarz and Benjamin Burns – probe the modern world with stunning emotional intelligence. Take “I Love My Phone,” which complains about how technology begets alienation – “illuminated faces I used to know” – but ultimately takes a longer view.
The McGarry written “To The Grave” describes a buried secret and wonders if it’s held out of courage or cruelty, finally unburdening it with a declaration that, “time won’t heal you.” Another, “We’ll Die Young,” is a 27 Club bit of gallows humor wrapped around memories of friendship. On it, the three voices melt together like fine whiskey, sweet vermouth and a dash of bitters.
The closest thing to a love song is “MissYou,” a rocked-up kiss-off that starts the new album.
“Thematically, we write about relationships, but typically the non-romantic kind,” McGarry explained in a recent phone interview. “A lot of mine is processing family… Ben is writing more about some friendships that have impacted him in a similar way. It’s not just blood family that shapes you, but that chosen family as well.”
Honeysuckle came together at Berklee College of Music. McGarry grew up in Sand Point, a musically rich town in the Idaho panhandle. She began gigging in her teens, playing shows with Shook Twins, a popular local band, planning to continue after high school. Until her father mentioned that Gillian Welch, her favorite songwriter, was a Berklee alum, and suggested she apply.
“It felt like an on a whim thing, this huge music college so far from home but I thought why not? They offered me a partial scholarship, so at that point it seemed like it would be silly not to give it a try. I was very lucky, but it was… a really hard year of being so far from home.”
McGarry and Burns began writing together for school projects, and she started dating Bloniarz; the two men are in a band called Grey Season. They came together as a trio organically, McGarry recalled, when Burns played a harmonized line in a song and Bloniarz jumped in with his instrument, and an a-ha moment happened. “There was this third part that we didn’t know was missing until we heard it instrumentally and vocally.”
Early on, Honeysuckle reworked many of McGarry’s songs – she’d released two solo albums before coming to Berklee – with unified results. “Chris and Ben play off each other in a really interesting way,” McGarry said. “The interplay between the two of them and what they’ve done arranging wise is what really made it a band instead of just solo artists with guest musicians. It’s just as much theirs as it is mine now.”
McGarry is also glad for being able to share the ups and downs of touring. “At a festival you’ll get a thunderstorm, or your car’s gonna break down on the way to the biggest gig of your life,” she said. “It’s more fun to be in a band than solo when something goes wrong… otherwise, you’ve got no one to laugh it off with; you have to sit and carry it.”
Cohesiveness rises to another level on Fire Starter. “I actually did more cowriting on this record with Chris; in the past it was more Ben and I collaborating,” McGarry said. “It’s been really interesting because Chris comes from a little different musical background, a little more rocking, I guess. He loves Metallica, unlike Ben and I. It’s brought a slightly different flavor to things… which is sort of fun.”