Idiot Wind, or It’s Alright, Ma – I’m Only Pooping

picture-3I think I found a music story to go with the picture of Lenin’s exploding ass.  OK, it’s a stretch, but you gotta admit, both of them are funny as hell.  Besides, both Lenin and Dylan can be described as revolutionaries with (how do I put this delicately?) posterior problems.

It seems the Bard of Minnesota has upset his Malibu neighbors:

Dylan, 67, who had the 1963 hit “Blowin’ in the Wind”, is under investigation by public health officials over whiffs emanating from a lavatory used by security guards at his cliffside compound at Point Dune, Malibu.

One couple, David and Cindy Emminger, claim the singer has ignored repeated requests to deal with the problem, forcing them to install five industrial-sized fans to divert the smell.

They claim that even the fans have not had the desired effect, as the Pacific breeze that sweeps across the area forces the odours back in their direction. “It’s a scandal – ‘Mr Civil Rights’ is killing our civil rights,” said Mr Emminger.

He alleged that the lavatory, which was installed on Dylan’s grounds six months ago, had made parts of his family home uninhabitable. He also claims his eight year old son has fallen ill from the fumes, which he describes as being from a “toxic, hazardous, carcinogenic chemical toilet”.

His wife told the Los Angeles Times. “I couldn’t figure out at first where the smell was coming from, until I finally noticed that they had moved the porta-potty directly in front of my front door. We both have allergies and are sensitive to chemicals.”

The newspaper claimed than a city public health inspector was sent to inspect the Dylan property in January, but was turned away and accused of trespassing by the security staff. Malibu Mayor Andy Stern said, however, that no other neighbours seemed to have experienced problems.

Local Rhythms – Green Mountain Home Companion

picture-2After a Sunday morning awash in news of lost jobs, foreclosures and other tales of economic despair, a thought occurred to me: what would Mickey Rooney do?

“Let’s put on a show!” he’d shout with a smile, and rally his pals to lose their blues.

Inspired?  Look no further than Woodstock, where the 12th annual community “Green Mountain Home Companion” talent show takes place Friday.

The event, presented by Pentangle Arts Council, gathers performers of all stripes and ages together for a night of homegrown entertainment, co-hosted by Al Alessi and Bob Merrill.

“It’s a great mix of talent,” says Alessi. “There’s a lot of original stuff – from kids and adults who’ve been really crafting their métiers.”

Sharing the stage are comedians, belly dancers, jazz, rock and polka bands.  Merrill and Alessi move things along with a shtick that combines “Late Show” Letterman with Lake Wobegon, and adds an upcountry touch.

Pentangle calls it a “sugaring off party,” a celebration of the abundant talent located right here in our own backyard.

The show has evolved into one of Woodstock’s biggest nights, a focal point for school music programs.  “Kids have been working with their teachers all year,” Alessi says.

At the other end of the age spectrum are Net Protas, who Al describes as “very evocative of Hank Williams, Sr.” and Bess Klassen-Landis, a grandmother who’s performed multiple times and recent released a CD of her folk songs.

This is Alessi’s fifth year as host.  Before that, he performed with his daughter Elizabeth “Biz” Alessi, who sang her first show at age 9.

Appearing in the show can often be the catalyst for a musical career.   Roy Salguero began performing at the community talent showcase as a teenager.  He’ll enter the Berklee College of Music this fall.

“His chops have developed hugely,” observes Alessi. “For his first show, Roy was reading music during rehearsal. I promised him five bucks if he could come to the show and not have any sheet in front of him, and he did it.”

Laughs Al, “I still owe him the five bucks.”

“In the old days, in the depression era, people were their own entertainment,” says Alessi.  “In times like these, its’ value becomes even more important.”

With Mickey Rooney optimism, he concludes, “I feel really swell about this.”

Curtain time for “A Green Mountain Home Companion” is 7:30 Friday, at the Woodstock Town Hall Theatre.

What else is happening?

Thursday: Blue Note Records 70th Anniversary Tour, Hopkins Center – Unlike a lot of “all star” bands, this septet has played together for years, and recently completed “Mosaic: A Celebration of Blue Note Records” to mark this year’s tour.  Musical director and pianist Bill Charlap says they made the CD to “honor the label and its key players, whittling it down to eight of our favorites from Blue Note’s wide-ranging and extensive catalog,” including Herbie Hancock and McCoy Tyner.

Friday: Soul Octane Burner, Imperial Lounge – This week’s four-band show at Claremont’s musical hot spot is a study in intensity.  From Empire to Ruin play with staccato fury, Affliction features crunch, melody and X-rated lyrics, while Low King feature an edgier sound than their days as Lazy Day Puppet.  Headliner SOB’s long-promised CD should drop any day now.  Based on what I’ve heard on MySpace, it should be a tour de force.

Saturday: Spring Mud Fling, Belmont Odd Fellows Hall – An eclectic group of musicians hook up for an anything-goes “old style road house dance hall jamboree” jam session in this tiny Vermont hamlet, located between Ludlow and Mt. Holly, a mile or two off of 103.  The lineup includes members of the classic rock Spiders, the Celtic band Gypsy Reel and blues singer Sandra Wright.

Sunday: Joe Bonamassa, Lebanon Opera House – This guitarist opened for B.B. King at age 12, and worked with Eric Clapton’s producer (an experience chronicled in the 2003 documentary, “Tom Dowd and the Language of Music”). But don’t pigeonhole Bonamassa as simply a blues rocker.  His first hits came with a band that included the progeny of Miles Davis, Berry Oakley (Allman Brothers) and Robbie Krieger (Doors) – he’s an original musical voice.

Tuesday: Jazz Ambassadors, Brattleboro Union High School – This performance by the U.S. Army’s 19-member big band features jazz music from across the spectrum, including swing, bebop, Latin, contemporary, standards, popular tunes and Dixieland.  Fans can also expect a few patriotic selections from the Jazz Ambassadors, currently celebrating their 40th year together.

Wednesday: Missy Higgins & Harlan Coben, Boston Public Library – Writer Coben employed the Aussie singer-songwriter’s hit “Where I Stood” as a key element in his last novel, “Hold Tight,” which led to this unique mini-tour of libraries and bookstores.  Coben reads (from the just-published “Long Lost”), while Higgins plays piano and sings – no word on whether any duets are planned.

Dead in NYC – Proof That People Win Stuff

At least we know the Grateful Dead actually give stuff away as promised – I received this from a friend of a family member who won seats to see Weir, Lesh and Haynes play an intimate acoustic set at the Angel Orensanz Center on the Lower East Side, the first of three free shows done for fans who won an online lottery.  It’s the same place Patty Griffin played in early 2007 to celebrate the release of Children Running Free, later documented on an Artists Den show.

Rolling Stone described the set thusly:

At 5 p.m. the men did a rare acoustic-trio set at the intimate Angel Orensanz, a former synagogue on the Lower East Side. The show focused on American Beauty and Workingman’s Dead classics like “Dire Wolf,” “Cumberland Blues” and “Casey Jones,” but the highlight was a largely instrumental, 20-minute version of “Bird Song,” the three men weaving guitar lines in and around each other.

Sounds stunning, wish I was there.  Here’s what my sister’s friend had to say about the experience:

Ok people, heads, and those of you who I know would appreciate, here’s how the story went……

Friday night my friend (thanks Jim Cox) sent me a link to win free Dead tix  to some shows they are doing to loyal fans for free, yada yada yada….yea, right, I never win stuff, but what the hell.  There was like a 20 minute window left to fill this thing out.  So I took 2 minutes and did it.
Saturday morning I got an email that said I WON.  Yea right, it must be a scam!!  The online form had you chose a friend to go with you, so I am like “who would be crazy enough and able to do this?  Joy of course”  So I forward this email to Joy and say…hey look I won us tickets!  ha ha h a!!  And I left for santa cruz to look for some surf.  .
I am sitting on the beach, depressed it is flat as a pancake, and Joy calls and say “ummm, yea we need to go to this.”
SO, I got on a redeye Sunday night, Joy and I  met in Manhattan, the acoustic set was UNREAL, so intimate, it was like Bobby was sitting in my lap!! (hello, you know I would love that…even if he does look like he is a hundred ys old!).   I could hear his foot-a-tappin and the crowd was unusually silenced…..I don’t mean to be “woo wooo” but it was magical.  Maybe b/c it was in an old synagogue?  Phil was totally “on” with his fancy bass and Warren fit perfectly, in my opinion!!!   Flew out to Chicago after the show, and woke up to bday breakfast with my mom and flew back to CA!
Here are some amazing “in Bobby’s lap” pictures she took:
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Local Rhythms – A Kindle In Your Future

kindleFor any technology to be truly compelling, it must advance an already important process.

E-mail improves the essential task of letter writing.  An MP3 player makes listening to music easier.  A camera phone is used to take insurance company pictures of fender benders.

How many of those collisions are caused by distracted drivers talking on their camera phone is another discussion.

On the other hand, watching television online is no substitute for a high def flat screen.  Reading newspaper articles is one thing, but few people are ready for books on laptops.

However, someday – soon, I believe – book lovers will have a Kindle, Amazon’s electronic reading device.

Kindle is consumer ready for the same reasons that Apple’s iPod leapfrogged every other digital musical player back in 2001 – synergy and ease of use.

First of all, there’s no computer required.  Unlike the Sony Reader (the device’s only real competition), content is available from Amazon’s WhisperNet network.

A mobile phone signal is all that’s needed to order books, magazines and newspapers directly from a Kindle.

Most books are priced at $9.99, a nice round, iTunes-like number that’s also a fraction of what new hardcovers cost.

Like Apple’s 30-second song preview feature, sample chapters are free.  There’s no risk to learning that what might have sounded great in the New York Times Book Review isn’t all that

Kindle has a built-in dictionary, and those who read with a pen will appreciate the highlight feature.  I also like the note-taking keyboard.

More importantly, Kindle looks and feels like a book, which is why the just-announced Kindle iPhone/iPod Touch app will probably help the device’s sales.

Kindle’s non-backlit screen has a paper-like appearance, and is best used with a reading light.

A sturdy leather cover gives it just the right heft.

The second generation Kindle 2, unveiled in February, is thinner and has faster page turning, plus a text-to-speech feature that apparently has some book on tape companies squirming.

Unfortunately the once-standard equipment cover costs an extra 30 bucks with Kindle 2.

One more complaint – it’s impossible to give a Kindle book as a gift.  That’s a problem the iTunes Music Store once had and fixed.

Hopefully, Amazon’s close to solving it too.

Here’s the live music scoop:

Thursday: Down by the Riverside, Lebanon Opera House – A unique collaboration between two musical legends, the first synonymous with New Orleans, the second as rarified as gospel gets, come to the Upper Valley.   The Preservation Hall Jazz Band has been bringing Dixieland to the world, while the Grammy-winning Blind Boys of Alabama have 70 years of “bringing the music of the church house straight to the roadhouse.”

Friday: Pariah Beat & River City Rebels, Main Street Museum – Fresh from a southern swing that included a stop at the massive SXSW event in Austin, Texas, Pariah Beat returns to a familiar haunt, joined by punk heroes River City Rebels and a few other friends.  Main Street Museum is a truly unique venue.  Imagine stepping into a Joseph Cornell box, with ephemera from bug collections, vintage toys, wall-mounted tube radios – and a BYOB policy.

Saturday: Onside, Salt hill Newport – The second of two local appearances for this Boston based band (they’re at Salt hill Lebanon on Friday);Oneside’s “First, To Last” CD was one of my favorites from 2008.  Like Pariah Beat, Oneside combines may disparate elements into a very unique, Americana sound. A DMB jam band vibe accented by electric banjo and a danceable energy makes every Oneside appearance a guaranteed party.

Sunday: Jenn Clapp, LACE – With First Lady Michelle Obama’s recently announced White House kitchen garden, going localvore is suddenly a hot topic.  Barre-based LACE – Local Agriculture Community Exchange of Vermont – talks the talk and walks the walk by supporting local farms and presenting events like this one, featuring New York-based singer-songwriter Jenn Clapp, as a way to promote sustainability that also tastes great.

Tuesday: Singer and Jordan, Tip Top Café – Phil Singer and Laurianne Jordan play the kind of folk music that was in vogue before Dylan went electric. They sing about trains, love gone wrong and leaders in need of schooling, all of which pair well with anything on the menu at this fine White River Junction restaurant.  Phil recently revised his “Dog and Pony” music website.  It’s now called smallflame.com, but it features the same cool music as before.

Wednesday: moe., Higher Ground – The standard by which plenty of indie bands are measured stops in Burlington for a two-night stand that concludes Thursday.  Named after a Louis Jordan song, they play a unique brand of improvisational rock.  Like Phish fans and the Deadhead, every moe. show is an adventure.  A bit of a drive, but it beats traveling to Bonnaroo, doesn’t it?

Middle School Bands Shine At Claremont Opera House

donlaplanteAn enthusiastic crowd of parents and music lovers gathered at the Claremont Opera House Saturday night to hear performances from four area middle school bands. Keene’s St. Joseph Regional School and Kurn Hattin (Westminster, VT) joined jazz bands from the Charlestown and Claremont Middle Schools to showcase their advanced student music programs.

The night also provided an opportunity for many of the young musicians to play in a theatre setting for the first time.

St. Joseph brought the evening’s largest ensemble – nearly 40 musicians, with percussion, bells, electric guitar and drums complementing the ample brass and wind contingency. Director Vicki Moore led them through the Bossa Nova flavored “Mucho Gusto”  and a smooth take of John Edmonson’s arrangement of “Jazz Cat.”

An energized version of “Jump, Jive and Wail,” made popular by former Stray Cat Brian Setzer, closed out St. Joseph’s set.

Kurn Hattin added inventive touches to their three numbers, which included the rousing opener, “Old Time Rock and Roll.”  Vocalist Shania Caswell soloed ably on “New York, New York,” even if she might be a bit young to ‘wake up in the city that never sleeps’.

The KH Jazz Ensemble’s final number brought smiles to the baby boomers in the house, as they rollicked through the theme song of “Scooby Do,” complete with cool shades and a dancing dog.

The Charlestown Middle School band conducted a mini-symposium on the history of music, from 1918 – Bob Carleton’s Dixieland chestnut “Jada” – to 1970, with Chicago’s jazz rock thunderbolt “25 or 6 to 4.”  Their five-song set included Fifties rock from both the East and West Coasts – the Drifters’ “On Broadway” and Richie Valens’ “La Bamba,” respectively.

Led by Julie Armstrong, Charlestown ended their set with a buoyant version of Louis Prima’s “Sing, Sing, Sing.”

Closing out the night was the host Claremont Middle School band, which stuck to a cool cat groove for their four-song set.  They led off with “Soul Bossa Nova,” the Quincy Jones number most people know from the ‘Austin Powers’ movies.  It was a night for saxophones to show off, with a solo each from tenors Kai Kelyensteuber (on the opening number) and  Sarah Porter (Mike Story’s homage, “Basie-Cally the Blues”) and alto Dylan Metcalf, who had fun with another spy movie theme – James Bond.

But it was drummer Dan Seaman who grabbed the spotlight during the final number, with a drum solo at the end of “Go Daddy-O” whose deft ferocity appeared to surprise even CMS band director Seth Moore.

Between sets, the young at heart Firehouse Six Dixieland Band won over the crowd with ageless standards like “Won’t You Come Home Bill Bailey,” You Are My Sunshine” and “Hello Dolly.”  They nearly stole the show, with Ed Evensen on clarinet, Gerry Grimo on vocals and squeezebox, along with a spirited tuba solo from Don LaPlante.  Vaughan Hadwen (trombone) and Rich Brown (trumpet) rounded out the brass, with Andy Buchan on the marching drum.

The event was a benefit for Keene-based Big Brothers/Big Sisters of Western New Hampshire,  Kurn Hattin music director Lisa Bianconi commented that their student population “is very involved in the program, so it was an extra special night for them.”

The even both raised awareness and money.  In addition to tickets, a fudge sale in the lobby did brisk business after the show.

Information on Big Brothers/Big Sisters of Western New Hampshire can be found online at www.bbbswnh.org or by calling 603-352-9535

Chuck Wicks @ Claremont Opera House 19 March 2009

wicksCountry is music’s last meritocracy, a genre where, as John Mellencamp wrote recently in Huffington Post, “stars [come] from seemingly nowhere to grow to tremendous popularity; think Garth Brooks.”

Or think Chuck Wicks, who thrilled a sold-out Claremont Opera House last Thursday with a blend of heart-tugging ballads and straight up rockers.  The lanky singer-songwriter rose through the ranks on Nashville’s Music Row, parking cars while he honed his skills next to some of country’s best writer, all the while awaiting his chance to make his first record.

Thursday night, Wicks played most of that debut disc (“Starting Now”), a few well-chosen (and crowd pleasing) covers, and some promising new songs.

At the outset, however, the challenge of shifting gears from “Dancing With the Stars” to music showed.  While he got reacquainted with band mates he hadn’t seen in a few weeks, the show’s opening song, “All I Ever Wanted,” didn’t hit on all cylinders.

But it was smooth sailing from there, as Wicks found his groove on a churning breakup song (“The Easy Part”) and the uplifting “If We Loved.”

By the night’s first ballad – “Man of the House,” dancing was the last thing on Wicks’ mind.  However, he did oblige the crowd with a with a solo salsa figure eight.  His hip swaying delighted  several screaming fans.

Introducing a new song, the bawdy “Better on the Floor,” Wicks slyly encouraged the audience to sing along, or “come on down to the front and dance.”  This precipitated a stage rush that had a few Opera House board members covering their eyes.

No one else minded, though, and the mostly female throng at the foot of the stage fed Wicks’ energy on the rocking “Leave Me Alone” and a surprising cover of Maroon 5’s “She Will Be Loved.”

A solo acoustic mini-set featured the new “You Won’t Let Me,” written with girlfriend and dancing partner Julianne Hough, and the soulful “Mine All Mine.”

Wicks’ five-piece band rejoined him for back-to-back covers of Brad Paisley’s “Wrapped Around” and Joe Diffie’s “Pickup Man.”  The singer took time out to thank Paisley for his support, noting that the singer brought Wicks on his 2008 tour, and wrote early letters on his behalf to country radio stations.

After that tribute, Wicks pleased the crowd by played his biggest hit.   The choice of a Paisley cover fueled speculation about Wicks’ future with his dancer girlfriend, and his introduction to his biggest hit to date added to it.

“I don’t know nothing about stealing Cinderella,” he said, “but I’m trying,” – a subtle reference to the 20-year old Hough.  He followed with a power ballad, “What If You Stay,” and closed the night with back to back rockers – “I Feel a Good Time Comin’ On” and “She’s Gonna Hurt Somebody.”

Wicks’ humility matches his resume.  He was late for a pre-show meet and greet because “my mama taught me to never go out in public without a cleanly pressed shirt.”  It was pretty clear who held the iron.

Flying a redeye out of LA the night before didn’t deter Wicks from wading into a crowd of post-show fans at his merchandise table.  If this kind of fan-centric energy were more common in John Mellencamp’s circle, the business might be in better shape.

The show’s success was a testament to the efforts of local radio station KIXX-FM.  Their morning team of Traci and Paul was instrumental in spotting Wicks’ talent well before his dancing prowess was known,

Manager/promoter Jim Roach booked the rising country star right on the cusp of fame.  As good as the music was Thursday, without such behind the scenes magic, the show never would have happened.

It’ was also clear from the sold-out show that country music is a strong area draw.  More shows like this one are just what the Opera House needs.

Newport Folk & Jazz Festivals Returning to Their Roots?

picture-28Though last year’s Newport Folk Festival was quite successful by recent standards, producer Festival Productions still owed Rhode Island money in  January.  Because of this, the state’s Department of Environmental Management voided their contract to produce the festivals at Fort Adams State Park.

Yesterday, original founder George Wein announced plans to produce the shows himself, launching a web site and conducting interviews with the Boston Globe, New York Times (free subscription required)  and Providence Journal:

“I couldn’t let the festivals die,” the 83-year-old impresario said yesterday from his home in New York. “That’s my life, those two festivals.”

Wein said Environmental Management, which operates Fort Adams State Park in Newport, granted his request to negotiate a contract to produce the festivals. His production team has said it will be holding the folk festival July 31-Aug. 2 and the jazz festival Aug. 7-9 at Fort Adams State Park.

With the Folk Festival’s 50th anniversary coming up this year, it’s worth speculating that the show might return to its folk roots – hopefully, the Black Crowes will stay away.