Plentiful sun, widely varied music, good food and good vibes prevailed at this year’s Roots on the River Festival in Rockingham. Saturday’s day-long concert was capped by a Fred Eaglesmith performance that fans called his “best in years”. Local musician Ezra Veitch helped out when regular Flying Squirrels drummer, Kori Heppner, left unexpectedly on Friday. Ezra earned high marks as a quick study.
Robbie Fulks played solo, mixing humorous songs, such as a cover of Cher’s “Do You Believe?” and the creepy story of “Godfrey, the Amateur Children’s Magician,” with beautiful and poignant performances. “Let’s Kill Saturday Night,” an early alt-country hit, got a stripped-down treatment, and the unreleased “That’s Where I’m From,” which hushed the crowd, sounded like George Strait’s next hit single.
Promoter Ray Massucco was pleased with the turnout for all four days. The Lori McKenna/Mark Erelli opener was well attended, and the Fred & the Flying Squirrels/Bottle Rockets double bill was, he said, “the best Friday ever.”
Sunday’s Meeting House show was also sold out, with Fred Eaglesmith and Mary Gauthier, and included a special guest appearance by Diana Jones (“My Remembrance of You”), who joined Fred for one song.
Sarah Borges and her band The Broken Singles whipped through a set of high-energy country rock that won the crowd over in a big way. After Borges played, her merchandise sold out and had to be replenished. If Avril Lavigne went twangy, she might sound like Sarah, who had amazing chemistry with her band (based in Boston, they’ve played together six years).
Laid-back Steve Forbert acted like he was in a living room, not a concert stage, as he loped though songs that touched on the political (“Baghdad Dream”, “Good Planets Are Hard to Find”) and the romantic (most notably his biggest hit, “Romeo’s Tune”). Fans shouted out requests, most of which he good-naturedly honored, though one caused him to pause thoughtfully. “That’s a good idea,” he said, “but I’m going to play this one instead.”
After playing a refreshing set of old time country music, members of the Starline Rhythm Boys relaxed in the guitar tent and tried a few instruments. The band kept things early twentieth century for their performance, playing songs like “One Dime at a Time” and touting their latest record, “Drunk Tank,” which they plan to release as a 45 – their new album is also on vinyl.
Wearing pearls and a wry smile, and playing a guitar signed by Loretta Lynn, Eilen Jewell time-traveled to Depression-era musical times. She played several songs from last year’s “Letters From Sinners & Strangers,” as well as selections from her upcoming gospel album. Like Steve Forbert before her, she jokingly asked that no one take pictures – “I’m way too sweaty”.