Lynne Taylor and Charlie Rockwood Farr met in a band and bonded over a love of touring. A recent phone interview with the duo, who perform as Rockwood Taylor, fittingly occurred as they drove down a long stretch of Ohio highway, and was punctuated by sightings from the road.
“Oh, look, the ‘Hell Is Real’ sign!” exclaimed Taylor as they passed a famous billboard on I-71, reading from it as they passed, “How will you spend eternity?”
Their ultimate destination was The Purple Fiddle, a West Virginia hill country venue that’s a perfect fit for the pair’s mix of Shovels & Rope rusticity and singer/songwriter emotion. After a show there, it’s back to Newburyport, where they both live, and a celebratory release party for their first record together, Finding Home.
The EP’s four songs brim with melancholy and remembrance. “Heading Home” is a co-write set in the twilight of living, but there’s a fondness in the narrator’s resignation: “It’s been a good life, now I’m headed home,” he sings.
“It’s sad but restful, an old guy sitting on the porch playing his guitar,” Farr explained. “We built the song around that and came up with some imagery of what his life would be. It’s melancholy, but whatever happens in life there’s the next step. It’s going back home, end of life reflecting – I was trying to look at that in a positive way.”
The EP’s title came after the collection was done. They realized that although the songs were about dusty memories, like “You Remember Me,” written by Taylor about her childhood piano, or escaping, as in Farr’s train song “Steel Wheels,” each was connected to home; both as an ideal and a place.
“I’ve lived many lifetimes in one life, musically as well,” Taylor said. “I started out in a punk band, I’ve done all kinds of rock, bluegrass, alt country – it’s always this constant search for home, and that’s where the title came from. It’s interesting to me how that sort of presented itself organically.”
Even the wanderlust that causes them to tour whenever they have the chance is reflected, Farr said. “We’re finding home in all kinds of places on the road.”
Moving between the frenetic energy of punk and the gentleness of what they do now isn’t a stretch, Taylor insists. “When you think about it, folk music is really punk music,” she said. “It’s simple chords, direct messages, and if you want to go back to the protest and social commentary in folk music, which is where I come from, that’s what it is in punk.”
The two have played Newburyport Brewery many times, from when they were the rhythm section of Liz Frame & the Kickers to their time in other bands, like the punky, now defunct Halo and the Harlots, and River Valley Ramblers, an ongoing bluegrass band comprised of teachers at the charter school where Taylor works.
Still, the release show is extra special. “It’s gonna be great to play one of our favorite local venues as Rockwood Taylor, and release the EP to our friends and fans; that’s what we’re looking forward to,” Taylor said, adding gleefully, “andwe’ve got t-shirts! It’s my first time having a band t-shirt.”
The shirt, like the albums’ cover, is adorned with a woodcut of a high flying bird carrying the band’s name on a banner in its beak, gliding past a setting sun. Drawn by local artist Patrick Pollard, it’s a wonderful depiction of the duo’s outlook. Pollard is, coincidentally, currently exhibiting his folk art at the Brewery.
For the release show, Rockwood Taylor will be joined by a percussionist, “and some other guest artists,” Farr said.