Joe Walsh with JD & the Straight Shot at Casino Ballroom, Hampton Beach, NH – Tuesday, July 26, 2016
Last Tuesday’s Joe Walsh: One Hell of a Night stop at Casino Ballroom was a history lesson in the gonzo singer/guitarist’s career. It kicked off with his first hit, the James Gang’s “Walk Away” followed by a newer song, the modernity-phobic “Analog Man.”
Apart from a left field cover of Sly & the Family Stone’s “Everyday People” and a couple of nuggets from Walsh’s 1972 Barnstorm album, he stuck to well-known solo material and Eagles selections, with one delightful exception – an extended, incendiary take of James Gang Rides Again‘s “The Bomber.”
It was a perfect mid-set palate cleanser. The mini jazz-rock opera featured politically incorrect lyrics (give him a break, he wrote in in 1971) wrapped in soaring interpretations of Ravel’s “Bolero” and Vince Guaraldi’s “Cast Your Fate to the Wind.”
Opening the show was JD & the Straight Shot, a bluegrass band with solid chops that held the milling about crowd well enough to earn raucous applause. The seven-member band’s 45-minute set leaned on the recently released CD, Ballyhoo. High points included tight harmonies on set opener “Empty” and “Glide” – the latter a tender song about front man James Dolan’s young son.
Most riveting was “Under That Hood,” a song from Ballyhoo that Dolan wrote in 2014 after George Zimmerman murdered Trayvon Martin and was acquitted under Florida’s “Stand Your Ground” law. Dolan’s feelings are clear:
Nothing in his pocket but candy and a pop/What made him different and why’d he get stopped?/The color of his skin or the hoodie on his head/Ain’t no reason for the boy to be dead.
They played an unreleased new song about hidden love with a very bluegrass title, “I Know You Know I Know.” Its charming lyric had the makings of a fine duet with singer Erin Carley, who shined on backing vocals throughout. Regrettably, Dolan didn’t share the lead. Maybe next time – the band hits Gilford, NH’s Bank of NH Pavilion at Meadowbrook on September 16 to open for Don Henley.
Mary Jo Stilip provided robust fiddle; guitarist Marc Copely stayed in the pocket while acting as music director, exchanging tasty licks with JJ Appleton; Byron House and drummer Shawn Pelton offered a solid rhythm section.
A mixture of raconteur and carnival barker, Dolan held the spotlight admirably. He’s led various versions of his band for over a decade, and Ballyhoo is the strongest record yet.
Any review of JD & the Straight Shot usually includes mention of Dolan’s day job – he runs Cablevision and owns Madison Square Garden, among other things.
JD’s status as an actual billionaire may provide a straight shot to dates with the Eagles and Joe Walsh, but when the lights go down, net worth counts for nothing if the music isn’t there – it is. One benefit of having big bucks for this kind of endeavor is being able to hire the best musicians.
Beside, with JD & the Straight Shot, there’s one less Kickstarter campaign clogging your timeline.