The Harvard Square club is one of the singer-songwriter’s favorites. “You can’t imagine anybody being big enough to not want to play that room,” she said last week.
Because McKenna lives nearby, Passim has another, perhaps more endearing, quality.
“It was great to get in the minivan and drive into Boston every night and just pick up my guitar and play,” she says.
For the first of six shows, Lori and her band (Mark Erelli, Jake Amerding) swapped favorite songs. The all-covers night is an annual tradition for McKenna, who selected a pair of tunes from Miranda Lambert’s latest album, including the tender ballad “More Like Her.”
Lambert, says McKenna, “knows – in some ways more than I do – what she wants to be about musically, and I really respect that.”
She also covered Steve Earle’s “Someday.”
“My three-year old knows all the words,” said McKenna.
During the summer whirlwind of magazine articles and talk show appearances surrounding “Unglamorous,” McKenna tried to stay above the fray. For the most part, she didn’t see herself on television; that was band director Mark Erelli’s job. “I always make him watch everything and tell me what I need to know,” she laughs.
“I was sort of forced to watch ‘Nightline’ because my manager and his wife were in my living room” when it came on. “The piece ended and I said, ‘you know, if I didn’t know me, I’d like myself.’”
In fits and starts, she’s begun work on a follow-up to “Unglamorous.”
“This year will be focused on thinking about the next record,” says McKenna. Her affiliation with producer Byron Gallimore recently led to a fruitful writing session with Jessica Harp of the Wreckers, who’s a big fan of Lori’s.
Working with Harp was easy. “We‘re almost like the same person,” says McKenna – eerily so.
She played a rough demo of the sessions for her 18-year old son. He was sure it was his mom, not Harp, playing guitar. And, says McKenna, “I had my husband listen to it … he said, is that you singing or her?”
She’s not ready to become the third Wrecker, however. “I don’t think they’ll let me,” she says. “Maybe we can be a duo called the ‘Put Them Back Togethers.’”
Winning a Boston Music Award is nothing new for McKenna. Her self-released debut, “Paper Wings and a Halo” won in 1998, and she was honored again in 2004.
But the one-time indie darling says she was “a bit overwhelmed” by this year’s BMA for Best Major Album.
“It’s really strange,” she says. “It could have been a nightmare, this idea of stepping out of the whole Boston scene, and making this record down there with people who had never heard me play live or anything.”
Instead, “it was this fun experiment, and everyone was on the same page.”
On her upcoming tour (which stops Friday in Wolfeboro and Saturday in Northampton), she’ll never be far from her Stoughton base, playing a series of mostly East Coast dates that began with last Sunday’s “Hot Stove, Cool Music” benefit at the Paradise.
For setting up an itinerary that spans 12 cities over nearly two months, says McKenna, “My agent should get an award,”
“I’ll break down if I can’t be home every four days,” explains the mother of five.
“I’m proud of the record and I want to play,” she continues. “But those things aren’t going to get you through your life.”