It felt like a fall evening in Bellow Falls last Friday, with a smattering of rain and overflowing cheer at Boccelli’s on the Canal. As Josh Maiocco took the stage, I was reminded why the scene there is so compelling. Josh played a couple of his original songs, then remarked, “it’s great to have an … audience.” Guys like Josh (and co-headliner Jesse Peters, and Colin McCaffrey, Jason Cann, Chris Kleeman) play songs which deserve to be heard, yet too often suffer the indignity of being background music. Not in BF, where Boccelli’s fans sat and paid attention.
Charlie Hunter, who came out of retirement to present shows for Boccelli’s, introduced the performers and also confirmed that the tentative Dave Alvin & the Lonely Men show is now confirmed for February 1. I haven’t seen Charlie looking so chuffed in a long time.
Also in attendance was Ezra Veitch, who had plans to leave the area for Arkansas last fall that “fell through.” Ezra’s been out of action due to a hand injury that’s fortunately now on the mend. He told me he’s mixing a Mr. Burns album; he also said it won’t be heard on MySpace. “I don’t like their policies,” he said, referring to the social networking site’s willingness to allow pages from “artists” who are really fans. This situation is benign sometimes – Shana Morrisonwas “surprised” to find out she had a MySpace page neither she nor her management set up, but professed that it stayed up to date and was basically a good tool for her fans. Not so in Ezra’s case.
I was only able to stick around for Josh’s set, but I did see a Josh/Jesse duet that was pretty good. Josh is s very talented songwriter, and line from one of his songs sort of summed up the night for me:
“It’s winter then it’s spring and now it’s winter/there should be a name for the season in between”
That’s the way the weather is, and that’s the way Bellows Falls has been, never letting the twin devastation of a big venue’s closing and the fire at Oona’s kill their spirit. A mostly packed house helped celebrate the return of spring to one of the area’s vital musical homes.
Later, I headed back to Claremont to catch Al Alessi and Bill Wightman’s second set at Sophie & Zeke’s. Bill’s looking forward to the next JOSA show, and both he and Al are exicited about January 20 at the Newport Opera House. Though the show’s being advertised as the Al Alessi Band, it’s really a full-band version of what Al and Bill do the first Monday of every month in Claremont – a dip into the Great American Songbook with a healthy dose of jazz. It’s a huge hit at Sophie & Zeke’s, and I’m sure it will wow the crowd in Newport.
I wasn’t able to get to Bistro Nouveau for Jason Cann’s Saturday set, but I assure you that he was a crowd pleaser. I took some guests to the Shana Morrison show December 29; Jason opened, and at least two of the women there wanted more Jason. Mr. Cann’s original songs are quite good. “Inside Information,” in particular, is timely, topical and soulful. He also does some clever covers – he re-worked Neil Young’s “Heart of Gold” in a different key with a slowed down tempo and exposed a part of the song I’d not seen before.
Jason plays open mike at the cramped and often indifferent Skunk Hollow every Wednesday, and most every Friday in Ascutney.
Speaking of Ascutney, the next big show there is the duo of Barry Goudreau (Boston) and James Montgomery. I hope they do it in a different room than the Crow’s Nest, which is IMHO unsuitable for concerts. Background music, maybe, but if you actually want to concentrate on the band, there’s nary a good vantage point anywhere.
I also heard a rumor that there may be an outdoor CSN show in the summer. We’ll wait and see on that one.